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Vintage 1930s Ramona Memories Lemon Crate Label ๐ŸŽ San Fernando Heights Lemon Association, Los Angeles County California Seรฑorita Art

Vintage 1930s Ramona Memories Lemon Crate Label ๐ŸŽ San Fernando Heights Lemon Association, Los Angeles County California Seรฑorita Art

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๐Ÿ‹ The Co-op That Painted Its Machines Violet

In 1936, the packing house that shipped these lemons did something almost no factory in America was doing: it painted its machinery in violet, mustard yellow and peacock blue, on the theory that happier surroundings made for better work. That packing house was the San Fernando Heights Lemon Association, and this label is one of the brands its fruit traveled under. It is an original Ramona Memories lemon crate label โ€” a small, glowing survivor from a real Los Angeles cooperative with a genuinely colorful history โ€” and it comes to you unused, exactly as it left the print shop. Everything described here is drawn from the label itself in the photographs and from the documented record of the Association; nothing is invented.


๐Ÿญ Who the San Fernando Heights Lemon Association Was

The Association was formed in 1915, when a group of San Fernando Valley lemon growers pooled their crop and bought a packing plant that had been built around 1911, just south of the old Mission San Fernando. Its timing was perfect: the Los Angeles Aqueduct had opened in 1913 and transformed the dry Valley into serious agricultural country, and lemons became one of its great crops. The co-op prospered and grew โ€” it put up a large new packing building in 1922 and added a three-story structure in 1936 โ€” and at its late-1940s peak it employed roughly eighty workers inside the house, sorting and wrapping the fruit that about a hundred field hands picked from the surrounding groves. It was, in other words, not a legend but a working business, one of the cooperative packing associations that were the backbone of Southern California citrus.

It had its share of real drama, too. In August 1938 the plant was hit by a labor strike, with something like a thousand picketers outside its doors. And in 1950, in a very Los Angeles twist, the Association leased its packing floor to Hollywood studios for filming, dangling the hope of discovery to attract workers. Then the same thing that made the Valley bloom undid it: the post-war housing boom. Suburbia rolled north across the groves, lemon acreage shrank, and the packing house โ€” like most of Valley agriculture โ€” eventually closed. This label is a bright artifact of that vanished working world.


๐ŸŒน What the Label Shows โ€” and Why "Ramona"

The Association dressed this particular brand in full "old California" romance. At the center stands a young woman in the Spanish-California mode โ€” dark hair swept back, a vivid red rose behind one ear and another bloom of red at her shoulder, a hoop earring, a soft green shawl scattered with red roses over a red bodice, one hand raised to her chest. Beside her, framed in a great oval like a window into a memory, opens a sunlit mission courtyard: yellow adobe walls, a shadowed arcade of arches, a tiled roof, a bell hung in an arched opening, a slice of California sky. "RAMONA MEMORIES" arcs across the top in creamy serif capitals; along the lower edge the sheet names its owner plainly โ€” SAN FERNANDO HEIGHTS LEMON ASSOCIATION, San Fernando, Los Angeles Co., California โ€” with the "Reg. U.S. Pat. Off." of a registered brand.

The name was a deliberate piece of marketing. Helen Hunt Jackson's 1884 novel Ramona had taught the whole country to picture Southern California as a land of seรฑoritas, roses and mission bells, and by the 1930s that romantic haze had become branding shorthand across the region's citrus. The Association reached for it here: a crate of San Fernando lemons that arrived wrapped in the glamour of Ramona's California simply sold better than a plain one. The girl, the rose, the mission courtyard โ€” that is the Association's own fruit dressed in the region's favorite daydream.


๐ŸŽจ A Label Worth Reading Closely

Slow down on the surface and the quality shows. The color is deep and even โ€” the green of the shawl, the many reds of the roses, the buttery adobe, the cool blue sky โ€” laid down in the rich, saturated way of lithographic label printing, when each color was carried on its own stone and printed in turn. Look at the modeling of the woman's face, the careful shadow under the arcade, the light pouring across the courtyard floor. This was accomplished commercial art, printed by Western Litho. Co., Los Angeles, whose imprint is set in microtype in the bottom-left blue border to a high standard for a working purpose, and it has kept its glow for the better part of a century. (That is the era seasoning; the story here is the Association's, and the picture is its fruit's dress.)


๐Ÿ“ฆ Genuine, Unused, and Never on a Crate

This is an original period label in New Old Stock condition: printed to be pasted on a San Fernando Heights lemon crate, and never used. Turn it over โ€” one photograph does โ€” and the back is clean, blank cream stock, carrying only the faintest ghost of the front's ink. That blank reverse is the proof: the co-op ordered labels by the thousand, the wooden crate gave way to the cardboard carton, and the leftover sheets were set aside unused, to surface decades later. It measures roughly 12ยผ by 9 inches, a full-size horizontal citrus label, and shows only honest edge wear exactly as pictured, nothing more. It is offered precisely as shown, with nothing retouched or hidden.


๐Ÿ–ผ๏ธ How to Live With It

  • ๐Ÿ‹ Float it in a simple frame for a kitchen or breakfast nook โ€” a lemon label makes a wall feel sunlit.
  • ๐ŸŒน Group it with other California citrus labels for a gallery wall of old-fruit-crate color.
  • ๐Ÿก Let it carry a Spanish-Revival or Southern California room; the adobe courtyard does that instantly.
  • ๐Ÿ“š Set it near histories of the San Fernando Valley or Helen Hunt Jackson's Ramona, where its story comes alive.
  • ๐ŸŽ Give it, matted and framed, to a Valley or Los Angeles native โ€” a real, affordable piece of their landscape's past.

๐Ÿ’› Who It Is For

This finds a home with the crate-label collector who works Southern California citrus and wants a clean, unused, named-association lemon label; the lover of vintage advertising color who simply wants the picture up; the Angeleno who remembers the last of the Valley groves; and the gift-giver after something genuine and storied for the price of a paperback. There is only this one sheet โ€” a single original object, offered as shown.


โ“ A Few Honest Answers

Who made it?

The San Fernando Heights Lemon Association, a grower cooperative formed in 1915 in San Fernando, Los Angeles County โ€” Ramona Memories was one of its brands.

Is it original?

Yes โ€” an original 1930s lithographed lemon crate label in unused New Old Stock condition, with a clean blank back.

What is it for?

Lemons. The Association's name is printed along the lower edge.

Was it ever used?

No โ€” the blank cream reverse shows it was never pasted to a crate.

How big is it?

Approximately 12ยผ by 9 inches, a full-size horizontal citrus label that frames beautifully.


๐Ÿ™๏ธ The Valley That Water Built

The Association's whole existence hangs on one fact of Los Angeles history: water. Before 1913 the San Fernando Valley was dry-farmed and thinly planted; when the Los Angeles Aqueduct opened that year and sent Owens Valley water south over the mountains, the Valley floor became some of the most productive citrus land in the state almost overnight.

Lemon groves spread across the flats around the old Mission San Fernando, and growers did what California citrus growers everywhere were doing โ€” they banded into cooperative associations to pack and market their fruit together, sharing a packing house, a brand catalogue and the reach of the great citrus exchange that shipped Western fruit east by the trainload.

The San Fernando Heights Lemon Association was one link in that chain, and Ramona Memories was one of the brands it stamped on its crates. When you understand that structure, the label stops being a pretty picture and becomes a receipt of a real agricultural economy: pooled lemons, a shared packing house south of the Mission, and a romantic brand meant to win the buyer's eye in a distant market.

That economy is gone now โ€” the groves went under tract houses in the post-war boom โ€” which is part of why a clean survivor like this carries the weight it does.


โœจ Why It Matters

This is not a generic "old California" print; it is the actual brand of a real San Fernando cooperative โ€” the one that painted its machines violet, weathered a strike, and finally lost its groves to the suburbs. Preserved unused, its back still blank, it wraps that working history in the romance of Ramona and hands it to you intact. Frame it and you are keeping a genuine piece of the San Fernando Heights Lemon Association, and of the citrus Los Angeles that the freeways paved over. There is only the one.

๐Ÿท๏ธ What Is Printed on This Label

Read off the sheet itself, verbatim โ€” this is the label's own printed text, not a description of it:

  • RAMONA
  • MEMORIES
  • SAN FERNANDO HEIGHTS
  • LEMON ASSOCIATION
  • SAN FERNANDO ย LOS ANGELES CO. ย CALIFORNIA
  • REG. U. S. PAT. OFF.
  • LITHO. IN U. S. A. - WESTERN LITHO. CO. LOS ANGELES

The printer is on the object. The imprint runs in microtype along the bottom-left blue border: WESTERN LITHO. CO. LOS ANGELES, with LITHO. IN U. S. A. ahead of it. This label was not the work of an unknown hand โ€” the house that printed it signed the sheet.

The sheet prints no fruit word. LEMON appears only inside SAN FERNANDO HEIGHTS LEMON ASSOCIATION; there is no product line, no net weight, no grade and no size. The picture is a seรฑorita in a green rose-print shawl with a red rose in her hair, beside an oval vignette of a mission courtyard.

There is no printed date and no copyright line on the sheet. The 1930s dating rests on the trade record and the owner's notes.

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