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Antique Turner “A Country Blacksmith” Engraving 🐴 1860 by Charles William Sharpe, Framed with COA

Antique Turner “A Country Blacksmith” Engraving 🐴 1860 by Charles William Sharpe, Framed with COA

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Why Is the Butcher Arguing With the Blacksmith? 🐴 J.M.W. Turner "A Country Blacksmith" 1860 Steel Engraving by C.W. Sharpe, Gallery Framed with COA

Size: 10" x 7 1/4" image, about 19" x 16" framed ~ Little to no wear.

Turner's own title for the painting tells you exactly what's going on: A Country Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney. I love that. He showed it at the Royal Academy in 1807, it came to the nation in the Turner Bequest, and the Tate holds it today. Charles William Sharpe engraved it for The Turner Gallery, published by James S. Virtue in London around 1860, and you can read both names engraved under the picture: "J.M.W. Turner, R.A. Pinxt" and "C.W. Sharpe, Sculpt". It comes framed, with the gallery's certificate.

🖼️ About This Work
This 1860 steel engraving, titled A Country Blacksmith, represents a collaboration across generations between two major figures in British art: Joseph Mallord William Turner, whose original painting dates to 1807, and Charles William Sharpe, the Victorian engraver who translated Turner’s composition into print more than fifty years later. The result is a richly detailed, historically significant work that preserves both the atmosphere of Turner’s early period and the technical precision of nineteenth‑century engraving.

🎨 Turner’s Original Composition
Turner’s painting belongs to the formative years of his career, when he explored scenes of everyday labor and the emotional weight of light and shadow. In A Country Blacksmith, the forge becomes the central source of illumination, casting warm light across the figures, tools, and timbered structure. The composition captures a moment of communal life: the blacksmith at work, the onlookers gathered around the doorway, and the subtle interplay between interior glow and exterior daylight. Even in this early subject matter, Turner’s sensitivity to atmosphere, narrative, and human presence is unmistakable.

🪶 About the Engraver
Charles William Sharpe (1818–1899) was one of the most respected reproductive engravers of the Victorian era. Before photographs could reproduce paintings, engravers like Sharpe played a crucial role in preserving and disseminating important artworks. His engravings were valued for their clarity, tonal control, and ability to translate complex paintings into prints that could reach a wider audience. Sharpe’s interpretation of Turner’s composition maintains the architectural textures, figure groupings, and dramatic lighting that define the original work.

📚 Documentation
Turner's painting is no. 68 in Butlin & Joll, the catalogue raisonné of his paintings, and Sharpe's engraving of it is no. 696 in Rawlinson's catalogue of Turner's engraved work. A Certificate of Authenticity from KCM Galleries (Cape Coral, Florida) comes with the piece and records the artist, engraver, date, image size and the signatures in the plate.

🖼️ Framing
The engraving was professionally matted and framed to museum grade using all new materials, and is presented in a wide champagne-gold frame with a cream linen mat, a black inner mat and a dust cover, offering a clean, ready‑to‑display presentation that complements the work without overwhelming it.

📏 Dimensions
• Framed size: approximately 19 × 16 inches
• Image size: 10 × 7.25 inches

✨ Condition
The engraving is in excellent antique condition with strong detail and a clean impression. The frame is professionally assembled. Please review all photographs for a complete understanding of condition.

🏛️ Significance
A Country Blacksmith stands at the intersection of two important artistic traditions: Turner’s early exploration of light, labor, and narrative, and Sharpe’s Victorian mastery of reproductive engraving. Together, they create a work that reflects both the artistic values of the early nineteenth century and the technical achievements of the mid‑Victorian printmaking tradition. This engraving offers collectors a meaningful connection to Turner’s development as an artist and to the broader history of British art.

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