Nice shirt!
Very nice nickel. Charming vender. Fast service. He has other very cool stuff on sale as well.
Very nice labels in excellent condition. Well packaged and arrived timely.
The Cadillac poster was great, very well made and great graphics.
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Vintage and Antique Gifts
Size: 12" x 8"
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Size: 12" x 8" ~ They vary a little one to the next.
I don't get many chances to sell an actual piece of a company like this one. What's in front of you is an engraved common stock certificate of Caesars World, Inc. — the corporation that stood behind Caesars Palace on the Las Vegas Strip. A real financial document, steel-engraved by the American Bank Note Company, from the years Caesars World was opening its casino on the Atlantic City boardwalk.
Some objects are souvenirs of a place. This one is a piece of the place itself - paper from the company that stood behind Caesars Palace during the marble-columned, fountain-lit golden age of the Las Vegas Strip.
I sell this one two ways, because it really did come off the transfer agent's desk in two forms, and I'd rather you pick the one you actually want than open a box and be surprised. The No Red X certificate is the larger holding — one thousand shares, with nothing drawn across the face. The Red X certificate is the smaller holding — one hundred shares, with a red crayon X struck through it, the mark a transfer clerk made when a certificate came back in and was formally cancelled on the company's books. Both versions are punch-cancelled; the No Red X piece never had the crayon mark, but it was retired the same way as every certificate in this run. Neither is a blank. Both did their job. Far from a flaw, that red X is a genuine part of the story: it is the visible fingerprint of how paper shares actually moved, were surrendered, and were retired in the pre-digital age. If you want the boldest version of this document on a wall, the No Red X is the one; the Red X is the friendly, affordable way into the hobby, and collectors who want a certificate that visibly did its job love that cancellation mark. Neither is "better." They are different chapters of the same book.
Whoever designed this one leaned all the way into the Roman theme that made Caesars Palace famous. The whole certificate is wrapped in a dense blue-gray guilloche border — the fine, engine-turned scrollwork security printers use to defeat counterfeiters, the same family of pattern you'll find framing paper currency. At the top, an oval vignette shows a windswept woman in a flowing gown and cape, one arm raised, the other cradling a globe turned to show the Americas, wrapped in laurel leaves. In Roman tradition the laurel wreath crowned victors and emperors — Caesar's own crown — and pairing it with a globe rather than a single building says exactly what the company wanted said: not a palace, a world. She looks as if she has just descended from Olympus, hair and drapery caught mid-motion.
Below her, the name reads out in bold, Roman-style lettering, marked COMMON on both shoulders. The text certifies the holder as owner of fully paid, non-assessable shares of common stock at a par value of ten cents ($.10) each, incorporated under the laws of the State of Florida, transferable in the City of New York or in Jersey City, N.J. It's countersigned by the Registrar and Transfer Company of Jersey City as transfer agent and registrar, and signed for the company by its Secretary and by its President, W. H. McElnea Jr. — a man who came up through Bankers Trust and Empire Trust in New York before he ever signed a Caesars certificate. Down in the corner of the vignette, small and easy to miss, is the engraver's own mark: the American Bank Note Company, working in intaglio, the hand-cut steel-die process that gives the lines their sharp, raised feel. That's the same tradition of engraving used on paper money, which is exactly why collectors of old financial paper — a hobby with the wonderful name scripophily, from "scrip" plus the Greek for "love of" — go looking for American Bank Note work in particular. The printed legal text is a small time capsule of how ownership used to work: every one of those features was an anti-fraud measure and a mark of legitimacy in a world that still ran on engraved paper rather than database entries. The American Bank Note Company was, for well over a century, one of the most trusted names in security printing anywhere - entrusted with currency, postage, and the stock and bond certificates of thousands of corporations at home and abroad. Its engravers cut the design in reverse into hardened steel and printed it under tremendous pressure, so the ink stands up off the page in a way no ordinary press could imitate, and that is why a Caesars World certificate can hang on a wall and hold its own beside a framed print.
Here's the part of the story the certificate only hints at. Look at the embossed seal near the signature line: CAESARS WORLD, INC. / CORPORATE SEAL / 1958 / FLA. These certificates were issued in the Caesars World years, the 1970s and 1980s, yet the seal says 1958 Florida — and that's because Caesars World didn't start out as a casino company at all.
In 1956, brothers Clifford and Stuart Perlman bought a hot dog stand on Miami Beach called Lum's for ten thousand dollars. Lum's became famous for one specific thing: hot dogs steamed in beer. It worked. The Perlmans took Lum's public in 1961, and by 1971 they had grown it into roughly four hundred restaurants. In 1969 the company was admitted to the New York Stock Exchange — the same year they bought Caesars Palace outright, for about sixty million dollars. Caesars Palace, the Roman-fantasy resort showman Jay Sarno had opened on the Strip in 1966, was such a phenomenon that the Perlmans sold off the whole restaurant business in 1971 to John Y. Brown, then chairman of Kentucky Fried Chicken, and renamed their remaining company after its crown jewel: Caesars World, Inc. The Florida charter from the old restaurant company never changed. Only the business did. That's why a certificate issued decades later still carries a seal dated 1958. The brothers built it up through the 1950s and 1960s; by the time of the sale Lum's owned and franchised some 400 stores across the continental US, Hawaii, Puerto Rico and Europe, and Brown's group paid $4 million for about 350 of them - nearly the whole chain.
By the late 1970s Caesars World had grown far beyond a single Las Vegas address, which is exactly why the name reads "World" and not merely "Palace" - and exactly what that globe in the vignette is telling you. It had bought the Thunderbird on the Strip from Del Webb Corporation in 1972 for $13.6 million. It owned the honeymoon resorts of Pennsylvania's Pocono Mountains - Cove Haven, Paradise Stream (bought in 1973) and Pocono Palace (1976) - and Cove Haven is where Morris Wilkins came up with the heart-shaped bathtub in 1963. At Lake Tahoe, in 1979, it agreed to spend $40 million to finish the hotel at Caesars Tahoe. And it rode New Jersey's 1976 vote for casino gambling onto the new Atlantic City boardwalk.
In the years these were being issued, Caesars World was expanding again — this time to Atlantic City, where its Boardwalk Regency opened in 1979 as the second casino on that boardwalk. And in 1980, New Jersey's Casino Control Commission refused to grant the Perlman brothers permanent gaming licenses over their ties to Miami lawyer Alvin Malnik. So Caesars World bought the Perlmans out of their own company — an 18 percent stake, for 98 million dollars. These certificates were issued in exactly those years.
The company didn't stay independent much longer, in the scheme of things. ITT bought Caesars World in 1995 for roughly 1.7 billion dollars; Starwood took over ITT in 1998; Park Place Entertainment bought the casino business in 1999. And Lum's itself, the hot dog stand that started all of this, went bankrupt in 1982 — though a Lum's kept its lights on in Bellevue, Nebraska until May of 2017, outliving the casino empire it built by nearly two decades. The name outlived the company, though: Park Place renamed itself Caesars Entertainment in 2004, and Harrah's bought it in 2005. Caesars World's own later history mirrors the great consolidation that reshaped casino ownership, as independently traded gaming companies gave way to the hospitality conglomerates that run the Strip today.
A certificate from these years sits right at the hinge of that story - issued by a company still trading under its own storied name, at the moment the Strip was turning from the Rat Pack era toward corporate, publicly traded casinos, with Wall Street capital replacing the private fortunes of the earlier Las Vegas.
The night Caesars Palace opened, nothing on the Strip was ever the same again. August 5, 1966 was Jay Sarno's vision made real: a million-dollar opening party, some 1,800 invited guests, about 50,000 glasses of champagne and two tons of filet mignon, moving through a hotel-casino unlike anything America had ever built - a fantasy of ancient Rome dropped into the Nevada desert and plugged into neon. The entrance was modeled on St. Peter's Square, the approach to St. Peter's Basilica in Rome, and the cocktail waitresses - the "goddesses" - worked the floor in short Roman togas.
Caesars Palace opened on August 5, 1966, and Andy Williams opened its 800-seat Circus Maximus showroom, built to look like the inside of Rome's Colosseum. Over the years that stage belonged to Frank Sinatra, Sammy Davis Jr., Judy Garland, Cher and Aretha Franklin. And on New Year's Eve 1967, a young daredevil named Evel Knievel talked his way into jumping his motorcycle over the fountains out front. He didn't stick the landing, and the crash put him in the hospital and made him a legend overnight. That's the resort this company owned. The showroom took its name from the great chariot-racing stadium of ancient Rome, and the high rollers came to it in tuxedos and evening gowns. Sinatra played the tables, too - he was at a high-stakes baccarat game there in the early hours of September 6, 1970. ABC filmed the Knievel jump. Under chairman Clifford Perlman, who stayed chairman of the Las Vegas property until 1982, the palace became one of the definitive Strip resorts.
A stock certificate like this one is a small piece of a vanished way of doing business. Nobody frames a database entry. When paper certificates like this changed hands, they got assigned on the back, stamped by transfer agents and registrars, and eventually punch-cancelled and retired — which is exactly the life this one lived. I'd rather sell you the real, cancelled article than a blank that never did anything.
These are issued instruments rather than blanks. Stock and bond certificates can carry financial writings, markings, stamps, hole punches and staples as part of the life of the instrument - endorsements and signatures on the back, transfer-agent and registrar stamps, cancellation punches. That is the paper trail of a security that actually did its job, and it is what separates a document that lived from a blank that never did. No two are alike - share counts, holder details, dates, signatures, stamps and punch patterns vary from sheet to sheet - so the photographs show the type rather than the exact sheet that ships. When you hold one, you are holding the physical, engraved evidence of a moment that has closed twice over: the golden age of the Las Vegas Strip, and the age when owning a company meant holding a beautiful piece of paper in your hands.
Every one of these I have shares the same character on the back: a residue there has toned the paper, and it shows through softly on the front. It runs through the whole stack, sheet after sheet - it's simply how this issue came down to us together.
Pick the No Red X if you want the larger, one-thousand-share certificate with a clean face. Pick the Red X if you want the one-hundred-share certificate with the crayon mark that proves it actually moved through a transfer agent's hands. Either way, you're holding an engraved piece of the company that ran Caesars Palace during the classic era of the Strip.
🖼 Framed alone in a deep black or gold frame, it is bold Las Vegas wall art for a den, home bar, office or game room. 🎲 Pair it with vintage casino chips, dice or matchbooks in a shadow box tribute to the golden-age Strip, or set it beside Roman or classical decor to echo the Caesars Palace fantasy it was born from. 💼 Mat it with other engraved stock and bond certificates for a "history of American finance" gallery wall, or keep it flat in an archival sleeve as the centerpiece of a scripophily or Americana collection. 🎁 And it makes a milestone gift for a Las Vegas trip, an anniversary, a retirement, a finance graduate, or a lifelong gambler - whether you choose the No Red X showpiece or the Red X storyteller.
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Take your time — you've got a full six months. If a piece isn't right for you, send it back the way it reached you and we're good.
In the first 30 days your money goes straight back the way you paid. After that it's store credit, so you can put it toward something you'd rather have.
Return shipping we sort out between us, case by case. I don't make this difficult.
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The only things I can't take back are custom or special-order pieces and gift cards.

Preserving History: Authentic Objects Across Eras
Nice shirt!
Looks great !
Very nice nickel. Charming vender. Fast service. He has other very cool stuff on sale as well.
Very nice labels in excellent condition. Well packaged and arrived timely.
The Cadillac poster was great, very well made and great graphics.
Nice shirt!
Looks great !
Very nice nickel. Charming vender. Fast service. He has other very cool stuff on sale as well.
Very nice labels in excellent condition. Well packaged and arrived timely.
The Cadillac poster was great, very well made and great graphics.